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Harrower's paintings unfold in response to years of site-specific work within different communities, taking shape as soft-edge abstractions with traces of representational elements sliding into and spilling over each other. The one becomes the many, a plurality of symbiotic encounters across time. She follows these biological forms, stitching by hand to better learn the intricacies of their growth patterns and to understand potential opportunities for interspecies mending.
Material agency is an ongoing theme across our research and we utilize both science methodologies and multimedia artistic approaches as we work to repair and vision sustainable futures. This includes projects such as developing new fungal composites for plant restoration in climate devastated environments, documenting fungal and pollinator relationships in extreme environments, and working with breast milk as an antimicrobial agent of resistance. Harrower consults with government agencies, tribal councils, and non-profits to advise on decolonial environmental practices. Her ecological and artistic research informed the protection of Joshua trees as the first species to be protected in CA due to threats mainly from climate.
We believe that ecosystem health is also fundamentally a social issue intersecting with many other social justice concerns. Drawing from the environmental humanities, contemporary art, and community ecology, we consider how power structures and systems of knowledge are involved in environmental destruction. We collaborate widely across disciplines and with communities to engage in site-specific reparative work.
View our projects here